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Sunday in the Park with George
Sunday in the Park with George is a musical with music and lyrics by Stephen Sondheim and book by James Lapine. The musical was inspired by the painting "A Sunday Afternoon on the Island of La Grande Jatte" by Georges Seurat. A complex work revolving around a fictionalized Seurat immersed in single-minded concentration while painting the masterpiece, its Broadway production was greeted with mixed praise by the critics.
Nominated for ten Tony Awards, the musical won only two design awards but won the 1985 Pulitzer Prize for Drama, numerous Drama Desk Awards, and the 2007 Olivier Award for Outstanding Musical Production. It has enjoyed several major revivals, including the 2005-06 UK production first presented at the Menier Chocolate Factory and its subsequent 2008 Broadway transfer.
Nominated for ten Tony Awards, the musical won only two design awards but won the 1985 Pulitzer Prize for Drama, numerous Drama Desk Awards, and the 2007 Olivier Award for Outstanding Musical Production. It has enjoyed several major revivals, including the 2005-06 UK production first presented at the Menier Chocolate Factory and its subsequent 2008 Broadway transfer.
Chess
Chess is a musical with lyrics by Tim Rice and music by Björn Ulvaeus and Benny Andersson, formerly of ABBA. The story involves a romantic triangle between two players in a world chess championship, and a woman who manages one and falls in love with the other. Although the protagonists were not intended to represent any specific individuals, the characters’ personalities are loosely based on those of Victor Korchnoi and Bobby Fischer.
Following the pattern of Jesus Christ Superstar and Evita, a concept album of Chess was recorded in 1984, and generated a number of hit singles. The first theatrical version of Chess opened in London's West End in 1986 and played for three years. A much-altered production premiered on Broadway in 1988, but most critics gave it a poor reception, and it failed to attract large audiences. In spite of this failure in the United States, Chess, like Candide and other "cult" musicals, is frequently revised for new productions, many of which try to merge elements from both the London and Broadway versions.
Chess came seventh in a BBC Radio 2 listener poll of the United Kingdom's "Number One Essential Musicals."
Following the pattern of Jesus Christ Superstar and Evita, a concept album of Chess was recorded in 1984, and generated a number of hit singles. The first theatrical version of Chess opened in London's West End in 1986 and played for three years. A much-altered production premiered on Broadway in 1988, but most critics gave it a poor reception, and it failed to attract large audiences. In spite of this failure in the United States, Chess, like Candide and other "cult" musicals, is frequently revised for new productions, many of which try to merge elements from both the London and Broadway versions.
Chess came seventh in a BBC Radio 2 listener poll of the United Kingdom's "Number One Essential Musicals."
Guys and Dolls
Guys and Dolls is a musical, with the music and lyrics written by Frank Loesser and book by Jo Swerling and Abe Burrows, based on "The Idyll of Miss Sarah Brown" and "Blood Pressure", two short stories by Damon Runyon. It also borrows characters and plot elements from other Runyon stories, most notably "Pick the Winner".
The musical was first produced on Broadway at the 46th Street Theatre, opening on November 24, 1950 and directed by George S. Kaufman. It starred Robert Alda, Sam Levene, Isabel Bigley, and Vivian Blaine. The play enjoyed an initial run of 1,201 performances, winning five 1951 Tony Awards, including the award for Best Musical. Decca Records issued an original cast recording on LP; it was later reissued on CD by MCA. The original London production opened at the London Coliseum on May 28, 1953 and ran for 555 performances. The show enjoyed numerous award-winning revivals and tours and has become a popular choice for school and community theatre productions.
On November 3, 1955 the film version was released, starring Marlon Brando, Frank Sinatra, and Jean Simmons, with Vivian Blaine reprising her role. It was directed by Joseph Mankiewicz.
The musical was first produced on Broadway at the 46th Street Theatre, opening on November 24, 1950 and directed by George S. Kaufman. It starred Robert Alda, Sam Levene, Isabel Bigley, and Vivian Blaine. The play enjoyed an initial run of 1,201 performances, winning five 1951 Tony Awards, including the award for Best Musical. Decca Records issued an original cast recording on LP; it was later reissued on CD by MCA. The original London production opened at the London Coliseum on May 28, 1953 and ran for 555 performances. The show enjoyed numerous award-winning revivals and tours and has become a popular choice for school and community theatre productions.
On November 3, 1955 the film version was released, starring Marlon Brando, Frank Sinatra, and Jean Simmons, with Vivian Blaine reprising her role. It was directed by Joseph Mankiewicz.
The Last Five Years
The Last Five Years is a one act musical written by Jason Robert Brown. It premiered in Chicago in 2001 and was then produced off-Broadway in March 2002. Since then it has had numerous productions both in the United States and internationally.
The story explores a five-year relationship between Jamie Wellerstein, a rising novelist, and Cathy Hiatt, a struggling actress. The show uses a form of storytelling in which Cathy travels backwards in time (beginning the show at the end of the marriage), and Jamie travels forwards (starting just after the couple have first met). The characters do not directly interact except for a wedding song in the middle.
The story explores a five-year relationship between Jamie Wellerstein, a rising novelist, and Cathy Hiatt, a struggling actress. The show uses a form of storytelling in which Cathy travels backwards in time (beginning the show at the end of the marriage), and Jamie travels forwards (starting just after the couple have first met). The characters do not directly interact except for a wedding song in the middle.
Reefer Madness
Reefer Madness is a musical satire of the 1936 cult classic Reefer Madness that opened in Los Angeles in 1998. The book and lyrics were written by Kevin Murphy and the music by Dan Studney. Directed by Andy Fickman, it was initially shown in a theatre in Los Angeles and then moved to the New York "Off-Broadway" scene. The show opened Off Broadway on September 15, 2001, and closed shortly thereafter. A film version was made for TV in 2005. Rodgers and Hammerstein Theatricals now administers the stock/amateur rights, and the show has been produced by local theatre groups in several cities, including Toronto, Seattle, Philadelphia and London. The 2008 production at Washington DC's Studio Theatre won 2 Helen Hayes Awards (directing and outstanding Resident Production). The show made its Australasian debut in Sydney on July 24 2008 and will have a production in London in 2009.
Follies
Follies is a musical with music and lyrics by Stephen Sondheim and a book by James Goldman. The show is nostalgic in tone and has a generally melancholy atmosphere. Several of its songs have become standards, including "Broadway Baby," "I'm Still Here," "Too Many Mornings," "Could I Leave You?" and "Losing My Mind." The play was nominated for eleven Tonys and won seven.
The Broadway production opened on April 4, 1971, directed by Harold Prince and Michael Bennett, and with choreography by Bennett. The production, which ultimately lost money, ran for 522 performances. Nevertheless, the piece has enjoyed a number of major revivals. In December 2007, Sondheim told The New York Times that a film adaptation of Follies was in development, with the director Sam Mendes and the writer Aaron Sorkin.
The Broadway production opened on April 4, 1971, directed by Harold Prince and Michael Bennett, and with choreography by Bennett. The production, which ultimately lost money, ran for 522 performances. Nevertheless, the piece has enjoyed a number of major revivals. In December 2007, Sondheim told The New York Times that a film adaptation of Follies was in development, with the director Sam Mendes and the writer Aaron Sorkin.
We Will Rock You
We Will Rock You (abbreviated as WWRY) is a jukebox musical, based on the songs of Queen and named after their hit single of the same name. The musical was written by English comedian and author Ben Elton in collaboration with Queen members Brian May and Roger Taylor. The musical was produced by Queen Theatrical Productions, Phil McIntyre Entertainment and Tribeca Theatrical Productions, with Christopher Renshaw as director, Mark Fisher as the production designer, Willie Williams as the lighting designer, Williams & Fisher as co-video directors, Tim Goodchild as the costume designer, Arlene Phillips as choreographer and Bobby Aitken as sound designer.
The musical opened in the West End at the Dominion Theatre on May 14, 2002, with Tony Vincent, Hannah Jane Fox, Sharon D. Clarke and Kerry Ellis in principal roles. The musical was panned by critics, but was an audience favourite and became the longest-running musical at that venue. The story takes place in a tongue-in-cheek dystopian future where originality and individualism are shunned, and a lone "Dreamer" appears who can fulfill a prophecy that will enable the return of rock 'n roll.
A number of international productions have followed the original, and We Will Rock You has been seen in Australia, Las Vegas, Moscow, Spain, Japan, South Africa, Zürich, Vienna, New Zealand, South Korea, Singapore, Bangkok and Hong Kong. As of August 2008, productions are still active in Great Britain, Germany and Canada.
As a jukebox musical, the show's music consists entirely of Queen material. As of April 2008, a sequel is in the works.
The musical opened in the West End at the Dominion Theatre on May 14, 2002, with Tony Vincent, Hannah Jane Fox, Sharon D. Clarke and Kerry Ellis in principal roles. The musical was panned by critics, but was an audience favourite and became the longest-running musical at that venue. The story takes place in a tongue-in-cheek dystopian future where originality and individualism are shunned, and a lone "Dreamer" appears who can fulfill a prophecy that will enable the return of rock 'n roll.
A number of international productions have followed the original, and We Will Rock You has been seen in Australia, Las Vegas, Moscow, Spain, Japan, South Africa, Zürich, Vienna, New Zealand, South Korea, Singapore, Bangkok and Hong Kong. As of August 2008, productions are still active in Great Britain, Germany and Canada.
As a jukebox musical, the show's music consists entirely of Queen material. As of April 2008, a sequel is in the works.
Parade
Parade is a musical with a book by Alfred Uhry and music and lyrics by Jason Robert Brown. The musical was first produced on Broadway at the Vivian Beaumont Theater on December 17, 1998. The production was directed by Harold Prince and closed 28 February 1999 after only 39 previews and 84 regular performances. It starred Brent Carver as Leo Frank, Carolee Carmello as Lucille Frank, and Christy Carlson Romano as Mary Phagan.
The musical won Tony Awards for best book and best score (out of nine nominations) and six Drama Desk Awards. The show has enjoyed a U.S. national tour and numerous professional and amateur productions both in the U.S. and abroad.
The musical won Tony Awards for best book and best score (out of nine nominations) and six Drama Desk Awards. The show has enjoyed a U.S. national tour and numerous professional and amateur productions both in the U.S. and abroad.
All Shook Up
All Shook Up is a jukebox musical featuring the music of the classic rock star Elvis Presley, with a book by Joe DiPietro. The story is based on the plot of William Shakespeare's Twelfth Night.
The musical had a developmental staging at the Goodspeed Musicals May 13-June 6, 2004, with most of the Broadway cast, except for Manley Pope in the lead role of Chad. Christopher Ashley directed, with choreography by Jody Moccia. The musical then had a tryout in Chicago from December 19, 2004, through January 23, 2005. After the tryout, changes were made to the finale and to add "a more specific instrumental and vocal voice" for Chad. The musical opened on Broadway at the Palace Theatre on March 24, 2005 and closed on September 25, 2005 after 213 performances and 33 previews. Directed by Christopher Ashley, with choreography by Ken Roberson, the original Broadway cast included Cheyenne Jackson (Chad), Jenn Gambatese (Natalie Haller/"Ed"), and Jonathan Hadary (Jim Haller).
The musical had a developmental staging at the Goodspeed Musicals May 13-June 6, 2004, with most of the Broadway cast, except for Manley Pope in the lead role of Chad. Christopher Ashley directed, with choreography by Jody Moccia. The musical then had a tryout in Chicago from December 19, 2004, through January 23, 2005. After the tryout, changes were made to the finale and to add "a more specific instrumental and vocal voice" for Chad. The musical opened on Broadway at the Palace Theatre on March 24, 2005 and closed on September 25, 2005 after 213 performances and 33 previews. Directed by Christopher Ashley, with choreography by Ken Roberson, the original Broadway cast included Cheyenne Jackson (Chad), Jenn Gambatese (Natalie Haller/"Ed"), and Jonathan Hadary (Jim Haller).
Anything Goes
Anything Goes is a musical with music and lyrics by Cole Porter. The book was a collaborative effort by Guy Bolton and P.G. Wodehouse, revised by Howard Lindsay and Russel Crouse. The story concerns madcap antics aboard an ocean liner bound from New York to London. Billy Crocker is a stowaway in love with heiress Hope Harcourt, who is engaged to Lord Evelyn Oakleigh. Nightclub singer Reno Sweeney and Public Enemy #13 Moonface Martin aid Billy in his quest to win Hope. The musical introduced such songs as "Anything Goes", "You're the Top", and "I Get a Kick Out of You".
Since its 1934 debut on Broadway, the musical has been revived several times in the United States and Britain and has been filmed twice. Anything Goes and Porgy and Bess are the only 1930s musicals that are still regularly revived.
Since its 1934 debut on Broadway, the musical has been revived several times in the United States and Britain and has been filmed twice. Anything Goes and Porgy and Bess are the only 1930s musicals that are still regularly revived.
George Gershwin
George Gershwin (September 26, 1898 – July 11, 1937) was an American composer. He wrote most of his vocal and theatrical works in collaboration with his elder brother, lyricist Ira Gershwin. George Gershwin composed songs both for Broadway and for the classical concert hall. He also wrote popular songs with success.
Many of his compositions have been used on television and in numerous films, and many became jazz standards. The jazz singer Ella Fitzgerald recorded many of the Gershwins' songs on her 1959 Gershwin Songbook (arranged by Nelson Riddle). Countless singers and musicians have recorded Gershwin songs, including Fred Astaire, Louis Armstrong, Al Jolson, Bobby Darin, Art Tatum, Bing Crosby, Janis Joplin, John Coltrane, Frank Sinatra, Billie Holiday, Sam Cooke, Miles Davis, Herbie Hancock, Madonna, Judy Garland, Julie Andrews, Barbra Streisand, Marni Nixon, Natalie Cole, Patti Austin, Nina Simone, Maureen McGovern, John Fahey, The Residents, Than & Sam, Sublime, and Sting. A residential building is named after him on the Stony Brook University campus.
Many of his compositions have been used on television and in numerous films, and many became jazz standards. The jazz singer Ella Fitzgerald recorded many of the Gershwins' songs on her 1959 Gershwin Songbook (arranged by Nelson Riddle). Countless singers and musicians have recorded Gershwin songs, including Fred Astaire, Louis Armstrong, Al Jolson, Bobby Darin, Art Tatum, Bing Crosby, Janis Joplin, John Coltrane, Frank Sinatra, Billie Holiday, Sam Cooke, Miles Davis, Herbie Hancock, Madonna, Judy Garland, Julie Andrews, Barbra Streisand, Marni Nixon, Natalie Cole, Patti Austin, Nina Simone, Maureen McGovern, John Fahey, The Residents, Than & Sam, Sublime, and Sting. A residential building is named after him on the Stony Brook University campus.
Chitty Chitty Bang Bang
Chitty Chitty Bang Bang, also known as Chitty the Musical, is a stage musical based on the 1968 film produced by Cubby Broccoli. The music and lyrics were wriiten by Richard and Robert Sherman with book by Jeremy Sams. It opened in the West End at the London Palladium theatre on April 16, 2002 with six new songs by the Sherman Brothers who wrote the original academy award nominated title and song score as well. The London production, directed by Adrian Noble with musical staging and choreography by Gillian Lynne, closed in September 2005.
Funny Girl
Funny Girl is a musical with a book by Isobel Lennart, music by Jule Styne, and lyrics by Bob Merrill.
The semi-biographical plot is based on the life and career of Broadway and film star and comedienne Fanny Brice and her stormy relationship with entrepreneur and gambler Nicky Arnstein. Its original title was My Man.
After seventeen previews, the Broadway production, directed by Garson Kanin and choreographed by Carol Haney under the supervision of Jerome Robbins, opened on March 26, 1964 at the Winter Garden Theatre, subsequently transferring to the Majestic Theatre and the Broadway Theatre to complete its total run of 1348 performances. The original cast included Barbra Streisand, Sydney Chaplin, Kay Medford, Danny Meehan, Jean Stapleton, and Lainie Kazan, who also served as Streisand's understudy. Later in the run, Streisand and Chaplin were replaced by Mimi Hines and Johnny Desmond, and Hines' husband and comedy partner Phil Ford also joined the cast.
The musical was produced by Ray Stark, who was Brice's son-in-law via his marriage to her daughter Frances. The production was nominated for eight Tony Awards, but facing tough competition from Hello, Dolly!, it failed to win in any categories.
The 1966 West End production at the Prince of Wales Theatre, starring Streisand, was directed by Lawrence Kasha.
The semi-biographical plot is based on the life and career of Broadway and film star and comedienne Fanny Brice and her stormy relationship with entrepreneur and gambler Nicky Arnstein. Its original title was My Man.
After seventeen previews, the Broadway production, directed by Garson Kanin and choreographed by Carol Haney under the supervision of Jerome Robbins, opened on March 26, 1964 at the Winter Garden Theatre, subsequently transferring to the Majestic Theatre and the Broadway Theatre to complete its total run of 1348 performances. The original cast included Barbra Streisand, Sydney Chaplin, Kay Medford, Danny Meehan, Jean Stapleton, and Lainie Kazan, who also served as Streisand's understudy. Later in the run, Streisand and Chaplin were replaced by Mimi Hines and Johnny Desmond, and Hines' husband and comedy partner Phil Ford also joined the cast.
The musical was produced by Ray Stark, who was Brice's son-in-law via his marriage to her daughter Frances. The production was nominated for eight Tony Awards, but facing tough competition from Hello, Dolly!, it failed to win in any categories.
The 1966 West End production at the Prince of Wales Theatre, starring Streisand, was directed by Lawrence Kasha.
Marry Me A Little
Marry Me A Little is a musical with lyrics and music by Stephen Sondheim. Conceived by Craig Lucas and Norman René, it set songs cut from Sondheim's better-known musicals to a simple dialogue-free plot about the relationship between two people who are in an emotional conflict during an evening in their one-room apartment.
The musical originally was staged by the off-off-Broadway Production Company. It opened on October 29, 1980 and closed December 28, 1980. It re-opened March 12, 1981 at the off-Broadway Actor's Playhouse, where it ran for 96 performances. Directed by Rene and choreographed by Don Johanson, it starred Craig Lucas and Suzanne Henry.
The musical originally was staged by the off-off-Broadway Production Company. It opened on October 29, 1980 and closed December 28, 1980. It re-opened March 12, 1981 at the off-Broadway Actor's Playhouse, where it ran for 96 performances. Directed by Rene and choreographed by Don Johanson, it starred Craig Lucas and Suzanne Henry.
Crazy for You
Crazy for You is a musical with a book by Ken Ludwig, lyrics by Ira Gershwin, and music by George Gershwin. Billed as “The New Gershwin Musical Comedy”, it is largely based on the songwriting team’s 1930 production, Girl Crazy, and interpolates songs from several other productions as well. Crazy for You won the 1992 Tony Award for Best Musical.
Sister Act
Sister Act is a 1992 American comedy film released by Touchstone Pictures. Directed by Emile Ardolino, it features musical arrangements by Marc Shaiman and stars Whoopi Goldberg as a Reno lounge singer who has been put under protective custody in a San Francisco convent and has to pretend to be a nun when a mob boss puts her on his hit list. Also in the cast are Maggie Smith, Kathy Najimy, Wendy Makkena, Mary Wickes, and Harvey Keitel. The film is #83 on Bravo's The 100 Funniest Movies list.
The film was followed by a 1993 sequel, Sister Act 2: Back in the Habit. It also inspired a musical stage version that premiered at the Pasadena Playhouse in Pasadena, California in 2006.
The film was followed by a 1993 sequel, Sister Act 2: Back in the Habit. It also inspired a musical stage version that premiered at the Pasadena Playhouse in Pasadena, California in 2006.
Jane Eyre
Jane Eyre is a musical drama with music by composer-lyricist Paul Gordon and a book by John Caird, based on the novel by Charlotte Brontë.
The premiere of the musical took place in Wichita, Kansas in the autumn of 1995. Minor roles and the large ensemble of schoolgirls for the scenes at Brocklehurst's school were cast locally, while the directors brought several members of the principal cast from New York. The musical was well received, and a recording of this rendition allowed the creative team and their backers to slowly move the project towards an opening on Broadway.
The musical debuted at the Brooks Atkinson Theatre on November 9, 2000, with an official opening on December 10, 2000. It enjoyed 36 previews and 209 regular performances before closing on June 10, 2001. Marla Schaffel, who played the title character, won a Drama Desk Award for her performance. The production was directed by John Caird and Scott Schwartz, with choreography by Jayne Paterson.
A revised version is currently in the works, with an expected regional debut in the 2008 or 2009 season.
The premiere of the musical took place in Wichita, Kansas in the autumn of 1995. Minor roles and the large ensemble of schoolgirls for the scenes at Brocklehurst's school were cast locally, while the directors brought several members of the principal cast from New York. The musical was well received, and a recording of this rendition allowed the creative team and their backers to slowly move the project towards an opening on Broadway.
The musical debuted at the Brooks Atkinson Theatre on November 9, 2000, with an official opening on December 10, 2000. It enjoyed 36 previews and 209 regular performances before closing on June 10, 2001. Marla Schaffel, who played the title character, won a Drama Desk Award for her performance. The production was directed by John Caird and Scott Schwartz, with choreography by Jayne Paterson.
A revised version is currently in the works, with an expected regional debut in the 2008 or 2009 season.
The Da Vinci Code
The Da Vinci Code is a 2006 feature film, which is based on the bestselling 2003 novel The Da Vinci Code by Dan Brown. The film was starring Tom Hanks, Audrey Tautou, Ian McKellen. It was one of the most anticipated films of 2006, and was previewed at the opening night of the Cannes Film Festival on May 17, 2006. The Da Vinci Code then entered major release in many other countries on May 18, 2006 and was released in the United States by Columbia Pictures on May 19, 2006.
Because of some controversial interpretations of Christian history in both the book and movie, they were criticized by the Roman Catholic Church. Some bishops urged members to boycott the film. Many of the early showings were accompanied by protesters outside the movie theaters, and early critical reviews were decidedly mixed. However, in its opening weekend, the film earned over US$224 million worldwide, second only to the opening of 2005's Star Wars Episode III: Revenge of the Sith. It is the second highest grossing movie of 2006 worldwide — having reached US$758,239,851 as of November 2, 2006. The film's soundtrack, composed by Hans Zimmer, was nominated for the 2007 Golden Globe Award for Best Original Score.
Because of some controversial interpretations of Christian history in both the book and movie, they were criticized by the Roman Catholic Church. Some bishops urged members to boycott the film. Many of the early showings were accompanied by protesters outside the movie theaters, and early critical reviews were decidedly mixed. However, in its opening weekend, the film earned over US$224 million worldwide, second only to the opening of 2005's Star Wars Episode III: Revenge of the Sith. It is the second highest grossing movie of 2006 worldwide — having reached US$758,239,851 as of November 2, 2006. The film's soundtrack, composed by Hans Zimmer, was nominated for the 2007 Golden Globe Award for Best Original Score.
Charlie Brown
Charles "Charlie" Brown is the main character in the comic strip Peanuts by Charles M. Schulz.
Moulin Rouge!
Moulin Rouge! is a 2001 musical film directed by Baz Luhrmann, based largely on the Giuseppe Verdi opera La Traviata. It tells the story of a young British poet/writer, Christian, who falls in love with the star of the Moulin Rouge, cabaret actress and courtesan Satine, played by Ewan McGregor and Nicole Kidman, respectively. It uses the musical setting of the Montmartre Quarter of Paris, France. The film was nominated for eight Oscars, including Best Picture, and won two: for art direction and costume design. It was shot at Fox Studios in Sydney, Australia.
In 2006, Moulin Rouge! ranked twenty-fifth on the American Film Institute's list of best musicals.
In 2006, Moulin Rouge! ranked twenty-fifth on the American Film Institute's list of best musicals.
Saturday Night Fever
Saturday Night Fever is a 1977 film starring John Travolta as Tony Manero, a troubled Brooklyn youth whose weekend activities are dominated by visits to a local discothèque. While in the disco, Tony is the king, and the visits help him to temporarily forget the reality of his life: a dead-end job, clashes with his unsupportive and squabbling parents, tensions in the local community, and his associations with a gang of dead-beat friends.
A huge commercial success, the movie significantly helped to popularize disco music around the world and made Travolta a household name. The Saturday Night Fever soundtrack, featuring disco songs by the Bee Gees, became the best selling soundtrack at that time and held the record until 1999 when soundtrack to The Bodyguard overtook it. The film is also notable for being one of the first instances of cross-media marketing, with the tie-in soundtrack's single being used to help promote the film before its release and the film popularizing the entire soundtrack after its release.
The story is based upon a 1976 New York magazine article by British writer Nik Cohn, "Tribal Rites of the New Saturday Night." In the late-1990s, Cohn acknowledged that the article had been fabricated. A newcomer to the United States and a stranger to the disco lifestyle, Cohn was unable to make any sense of the subculture he had been assigned to write about. The characters who were to become Tony Manero and his friends sprang almost completely from his imagination. The film also showcased aspects of the music, the dancing, and the subculture surrounding the disco era: symphony-orchestrated melodies, haute-couture styles of clothing, sexual promiscuity, and graceful choreography.
A huge commercial success, the movie significantly helped to popularize disco music around the world and made Travolta a household name. The Saturday Night Fever soundtrack, featuring disco songs by the Bee Gees, became the best selling soundtrack at that time and held the record until 1999 when soundtrack to The Bodyguard overtook it. The film is also notable for being one of the first instances of cross-media marketing, with the tie-in soundtrack's single being used to help promote the film before its release and the film popularizing the entire soundtrack after its release.
The story is based upon a 1976 New York magazine article by British writer Nik Cohn, "Tribal Rites of the New Saturday Night." In the late-1990s, Cohn acknowledged that the article had been fabricated. A newcomer to the United States and a stranger to the disco lifestyle, Cohn was unable to make any sense of the subculture he had been assigned to write about. The characters who were to become Tony Manero and his friends sprang almost completely from his imagination. The film also showcased aspects of the music, the dancing, and the subculture surrounding the disco era: symphony-orchestrated melodies, haute-couture styles of clothing, sexual promiscuity, and graceful choreography.