Flute Sheet Music
"Jazz will endure just as long people hear it through their feet instead of their brains." John Philip Sousa
Mozart
Wolfgang Amadeus Mozart, full name Johann Chrysostom Wolfgang Amadeus Mozart (27 January 1756 â 5 December 1791) was a prolific and influential composer of the Classical era. His over 600 compositions include works widely acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music. Mozart is among the most enduringly popular of classical composers, and many of his works are part of the standard concert repertoire.
Mozart's music, like Haydn's, stands as an archetypal example of the Classical style. His works spanned the period during which that style transformed from one exemplified by the style galant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the galant style had been a reaction. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. In addition, he was a versatile composer and wrote in almost every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. While none of these genres were new, the piano concerto was almost single-handedly developed and popularized by Mozart. He also wrote a great deal of religious music, including masses; and he composed many dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the classical style can be identified in Mozart's music. Clarity, balance, and transparency are hallmarks of his work.
Mozart's music, like Haydn's, stands as an archetypal example of the Classical style. His works spanned the period during which that style transformed from one exemplified by the style galant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the galant style had been a reaction. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. In addition, he was a versatile composer and wrote in almost every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. While none of these genres were new, the piano concerto was almost single-handedly developed and popularized by Mozart. He also wrote a great deal of religious music, including masses; and he composed many dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the classical style can be identified in Mozart's music. Clarity, balance, and transparency are hallmarks of his work.
César Franck
César-Auguste-Jean-Guillaume-Hubert Franck was a composer, pianist, organist, and music teacher who worked in Paris during his adult life. He was born at Liège, in what is now Belgium. He gave his first concerts there in 1834 and studied privately in Paris from 1835, where his teachers included Anton Reicha.
Linkin Park
Linkin Park is an American rock band from Agoura Hills, California. Since their formation in 1996, the band has sold more than 50 million albums and won two Grammy Awards. They achieved mainstream success with their debut album, Hybrid Theory, which was certified Diamond by the RIAA in 2005. Their following studio album, Meteora, continued the band's success, topping the Billboard 200’s album charts in 2003, and was followed by extensive touring and charity work around the world.
Recognized for their adaptation of the nu metal and rap rock genre into a radio-friendly yet densely-layered style in Hybrid Theory and Meteora, the band moved away from this and explored a variety of other genres in their latest studio album, Minutes to Midnight. The album topped the Billboard charts and had the third best debut week of any album that year. They are also known for their several collaborations, most notably with rapper Jay-Z in their mash-up album Collision Course, and many other artists on Reanimation.
Recognized for their adaptation of the nu metal and rap rock genre into a radio-friendly yet densely-layered style in Hybrid Theory and Meteora, the band moved away from this and explored a variety of other genres in their latest studio album, Minutes to Midnight. The album topped the Billboard charts and had the third best debut week of any album that year. They are also known for their several collaborations, most notably with rapper Jay-Z in their mash-up album Collision Course, and many other artists on Reanimation.
György Ligeti
György Sándor Ligeti (May 28, 1923 – June 12, 2006) was a composer, born in a Hungarian Jewish family in Transylvania, Romania. He briefly lived in Hungary before later becoming an Austrian citizen. Many of his works are well known in classical music circles, but to the general public, he is best-known for the various pieces featured in the Stanley Kubrick films 2001: A Space Odyssey, The Shining, and Eyes Wide Shut.
Ligeti's music is best-known to the general public for its use in the films of Stanley Kubrick. The soundtrack to 2001: A Space Odyssey includes four of his pieces: Atmosphères, Lux Aeterna (for the moon-bus scene en route to the TMA-1 monolith in the crater Tycho), Requiem (the Kyrie section), and an electronically altered version of Aventures (in the cryptic final scenes). Some of this music was used again in Peter Hyams's 1984 sequel film, 2010. Kubrick's The Shining uses Lontano for orchestra. The second of Ligeti's Musica ricercata is used extensively in Eyes Wide Shut.
Ligeti's music is best-known to the general public for its use in the films of Stanley Kubrick. The soundtrack to 2001: A Space Odyssey includes four of his pieces: Atmosphères, Lux Aeterna (for the moon-bus scene en route to the TMA-1 monolith in the crater Tycho), Requiem (the Kyrie section), and an electronically altered version of Aventures (in the cryptic final scenes). Some of this music was used again in Peter Hyams's 1984 sequel film, 2010. Kubrick's The Shining uses Lontano for orchestra. The second of Ligeti's Musica ricercata is used extensively in Eyes Wide Shut.
John Barnes Chance
John Barnes Chance (November 20, 1932 – August 16, 1972) was an American composer. Chance studied composition with Clifton Williams at the University of Texas, Austin, and is best known for his concert band works, which include Variations on a Korean Folk Song, Incantation and Dance, and Blue Lake Overture.
Yoko Kanno
Yoko Kanno (菅野 よう子 Kanno Yōko?, born March 19, 1964 in Miyagi Prefecture, Japan) is a composer, arranger and musician best known for her work on the soundtracks for many games, anime films, TV series, live-action movies, and advertisements. She has written scores for famous animated works, including Macross Plus, Turn A Gundam, Cowboy Bebop, The Vision of Escaflowne, Ghost in the Shell: Stand Alone Complex, Wolf's Rain, and is the most trusted composer by veteran and new-wave directors such as Yoshiyuki Tomino, Shinichiro Watanabe and Shoji Kawamori. Kanno has also composed music for J-pop artists, the most notable being Maaya Sakamoto and Kyōko Koizumi. She is also a skilled keyboardist, and is the frontwoman for The Seatbelts, who perform many of Kanno's compositions on the various original soundtracks for which she is responsible.
GEORG PHILLIP TELEMANN
Georg Philipp Telemann (24 March 1681 – 25 June 1767) (German pronunciation: ) was a German Baroque composer and multi-instrumentalist. Almost completely self-taught in music, he became a composer against his family's wishes. After studying in Magdeburg, Zellerfeld, and Hildesheim, Telemann entered the University of Leipzig to study law, but eventually settled on a career in music. He held important positions in Leipzig, Sorau, Eisenach, and Frankfurt before settling in Hamburg in 1721, where he became musical director of that city's five main churches. While Telemann's career prospered, his personal life was always troubled: his first wife died less than two years after their marriage, and his second wife had extramarital affairs and accumulated a large gambling debt before leaving him.
Astor Piazzola
Astor Pantaleón Piazzolla (Spanish pronunciation: , Italian pronunciation: ; March 11, 1921 – July 4, 1992) was an Argentine tango composer, bandoneon player, and arranger. His oeuvre revolutionized the traditional tango into a new style termed nuevo tango, incorporating elements from jazz and classical music. A virtuoso bandoneonist, he regularly performed his own compositions with a variety of ensembles.
In 1992, American music critic Stephen Holden described Piazzolla as "the world's foremost composer of tango music"
In 1992, American music critic Stephen Holden described Piazzolla as "the world's foremost composer of tango music"
Johann Sebastian Bach
Johann Sebastian Bach (31 March 1685 – 28 July 1750) was a German composer and musician of the Baroque period. He is known for instrumental compositions such as the Art of Fugue, the Brandenburg Concertos, and the Goldberg Variations, and for vocal music such as the St Matthew Passion and the Mass in B minor. Since the 19th-century Bach Revival he has been generally regarded as one of the greatest composers of the Western art musical canon.
Ravel
Joseph-Maurice Ravel (March 7, 1875 – December 28, 1937) was a French composer of Impressionist music known especially for his melodies, orchestral and instrumental textures and effects. Much of his piano music, chamber music, vocal music and orchestral music has entered the standard concert repertoire.
Ravel's piano compositions, such as Jeux d'eau, Miroirs and Gaspard de la Nuit, demand considerable virtuosity from the performer, and his orchestral music, including Daphnis et Chloé and his arrangement of Modest Mussorgsky's Pictures at an Exhibition, uses a variety of sound and instrumentation very effectively.
Ravel is perhaps known best for his orchestral work, Boléro (1928), which he considered trivial and once described as "a piece for orchestra without music."
According to SACEM, Ravel's estate earns more royalties than that of any other French musician. According to international copyright law, Ravel's works are public domain since January 1, 2008 in most countries. In France, due to anomalous copyright law extensions to account for the two world wars, they will not enter the public domain until 2015.
Ravel's piano compositions, such as Jeux d'eau, Miroirs and Gaspard de la Nuit, demand considerable virtuosity from the performer, and his orchestral music, including Daphnis et Chloé and his arrangement of Modest Mussorgsky's Pictures at an Exhibition, uses a variety of sound and instrumentation very effectively.
Ravel is perhaps known best for his orchestral work, Boléro (1928), which he considered trivial and once described as "a piece for orchestra without music."
According to SACEM, Ravel's estate earns more royalties than that of any other French musician. According to international copyright law, Ravel's works are public domain since January 1, 2008 in most countries. In France, due to anomalous copyright law extensions to account for the two world wars, they will not enter the public domain until 2015.
Dvorak
Antonín Leopold Dvořák (September 8, 1841 – May 1, 1904) was a Czech composer of Romantic music, who employed the idioms and melodies of the folk music of his native Bohemia and Moravia. His works include operas, symphonic, choral and chamber music. His best-known works are his New World Symphony (particularly the slow movement), as well as his Slavonic Dances, American String Quartet, and Cello Concerto in B minor.
Dvořák wrote in a variety of forms: his nine symphonies generally stick to classical models that Beethoven would have recognised, but he also worked in the newly developed symphonic poem form and the influence of Richard Wagner is apparent in some works. Many of his works also show the influence of Czech folk music, both in terms of rhythms and melodic shapes; perhaps the best known examples are the two sets of Slavonic Dances. Dvořák also wrote operas (the best known of which is Rusalka); serenades for string orchestra and wind ensemble; chamber music (including a number of string quartets, and quintets); songs; choral music; and piano music.
Dvořák wrote in a variety of forms: his nine symphonies generally stick to classical models that Beethoven would have recognised, but he also worked in the newly developed symphonic poem form and the influence of Richard Wagner is apparent in some works. Many of his works also show the influence of Czech folk music, both in terms of rhythms and melodic shapes; perhaps the best known examples are the two sets of Slavonic Dances. Dvořák also wrote operas (the best known of which is Rusalka); serenades for string orchestra and wind ensemble; chamber music (including a number of string quartets, and quintets); songs; choral music; and piano music.
Klaus Badelt
Klaus Badelt (born 1968) is a German composer, best known for composing film scores.
Badelt was born in Frankfurt, Germany. He started his musical career composing for many successful movies and commercials in his homeland. In 1998, Oscar-winning film composer Hans Zimmer invited Badelt to work at Media Ventures in Santa Monica, his studio co-owned by Jay Rifkin. Since then, Badelt has been working on a number of his own film and television projects such as The Time Machine and K-19: The Widowmaker. He has also collaborated with other Media Ventures composers, such as Harry Gregson-Williams, John Powell, and Zimmer.
While collaborating with Zimmer, Badelt has contributed to the Oscar-nominated scores for The Thin Red Line and The Prince of Egypt, as well as writing music for many well known directors including Ridley Scott, Tony Scott, Terrence Mallick, John Woo, Kathryn Bigelow, Jeffrey Katzenberg, Tom Cruise, Sean Penn, Gore Verbinski, and Steven Spielberg.
Badelt co-produced the score to Hollywood box office hit Gladiator, directed by Ridley Scott, as well as writing portions of the score with singer/composer Lisa Gerrard. Having contributed music to Gladiator, Mission: Impossible 2 and Michael Kamen's score for X-Men, Badelt was involved in the three most successful movies in 2000. Badelt also collaborated with Zimmer on other successful films, such as The Pledge, and 2001 blockbusters Hannibal and Pearl Harbor. One of his more famous - and more popular - scores is the score to the 2003 film Pirates of the Caribbean: The Curse of the Black Pearl.
Among Badelt's most critically celebrated scores are the Chinese fantasy film The Promise and Dreamworks' remake of The Time Machine, the latter which earned him the Discovery of the Year Award at the World Soundtrack Awards 2003.
Badelt was born in Frankfurt, Germany. He started his musical career composing for many successful movies and commercials in his homeland. In 1998, Oscar-winning film composer Hans Zimmer invited Badelt to work at Media Ventures in Santa Monica, his studio co-owned by Jay Rifkin. Since then, Badelt has been working on a number of his own film and television projects such as The Time Machine and K-19: The Widowmaker. He has also collaborated with other Media Ventures composers, such as Harry Gregson-Williams, John Powell, and Zimmer.
While collaborating with Zimmer, Badelt has contributed to the Oscar-nominated scores for The Thin Red Line and The Prince of Egypt, as well as writing music for many well known directors including Ridley Scott, Tony Scott, Terrence Mallick, John Woo, Kathryn Bigelow, Jeffrey Katzenberg, Tom Cruise, Sean Penn, Gore Verbinski, and Steven Spielberg.
Badelt co-produced the score to Hollywood box office hit Gladiator, directed by Ridley Scott, as well as writing portions of the score with singer/composer Lisa Gerrard. Having contributed music to Gladiator, Mission: Impossible 2 and Michael Kamen's score for X-Men, Badelt was involved in the three most successful movies in 2000. Badelt also collaborated with Zimmer on other successful films, such as The Pledge, and 2001 blockbusters Hannibal and Pearl Harbor. One of his more famous - and more popular - scores is the score to the 2003 film Pirates of the Caribbean: The Curse of the Black Pearl.
Among Badelt's most critically celebrated scores are the Chinese fantasy film The Promise and Dreamworks' remake of The Time Machine, the latter which earned him the Discovery of the Year Award at the World Soundtrack Awards 2003.
The Beatles
The Beatles were a pop and rock group from Liverpool, England formed in 1960. Primarily consisting of John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar, vocals) and Ringo Starr (drums, vocals) throughout their career, The Beatles are recognised for leading the mid-1960s musical "British Invasion" into the United States. Although their initial musical style was rooted in 1950s rock and roll and homegrown skiffle, the group explored genres ranging from Tin Pan Alley to psychedelic rock. Their clothes, styles, and statements made them trend-setters, while their growing social awareness saw their influence extend into the social and cultural revolutions of the 1960s. After the band broke up in 1970, all four members embarked upon solo careers.
The Beatles are one of the most commercially successful and critically acclaimed bands in the history of popular music, selling over a billion records internationally. In the United Kingdom, The Beatles released more than 40 different singles, albums, and EPs that reached number one, earning more number one albums (15) than any other group in UK chart history. This commercial success was repeated in many other countries; their record company, EMI, estimated that by 1985 they had sold over one billion records worldwide. According to the Recording Industry Association of America, The Beatles have sold more albums in the United States than any other band. In 2004, Rolling Stone magazine ranked The Beatles number one on its list of 100 Greatest Artists of All Time. According to that same magazine, The Beatles' innovative music and cultural impact helped define the 1960s, and their influence on pop culture is still evident today. In 2008, Billboard magazine released a list of top-selling Hot 100 artists to celebrate the chart's fiftieth anniversary; The Beatles reached #1 again.
The Beatles are one of the most commercially successful and critically acclaimed bands in the history of popular music, selling over a billion records internationally. In the United Kingdom, The Beatles released more than 40 different singles, albums, and EPs that reached number one, earning more number one albums (15) than any other group in UK chart history. This commercial success was repeated in many other countries; their record company, EMI, estimated that by 1985 they had sold over one billion records worldwide. According to the Recording Industry Association of America, The Beatles have sold more albums in the United States than any other band. In 2004, Rolling Stone magazine ranked The Beatles number one on its list of 100 Greatest Artists of All Time. According to that same magazine, The Beatles' innovative music and cultural impact helped define the 1960s, and their influence on pop culture is still evident today. In 2008, Billboard magazine released a list of top-selling Hot 100 artists to celebrate the chart's fiftieth anniversary; The Beatles reached #1 again.
Nikolay Rimski-Korsakov
Nikolay Rimski-Korsakov, Russian: Николай Андреевич Римский-Корсаков Russian musician, composer and music educator. Date of birth: March 18, 1844, Tikhvin, Russia Date and place of death: June 21, 1908, Lyubensk, Russia
Jamey Abersold
Wilton Jameson "Jamey" Aebersold is an American publisher, educator, and jazz saxophonist. His Play-A-Long series of instructional books and CDs, using the chord-scale system, the first of which was released in 1967, are an internationally renowned resource for jazz education
Pierre Boulez
ierre Louis Joseph Boulez CBE was a French composer, conductor, writer and creator of musical institutions. He was one of the dominant figures ..
Jamey Aebersold
Jamey Aebersold (born July 21, 1939 in New Albany, Indiana) is an American jazz saxophonist and music educator. His "Play-A-Long" series of instructional book and CD collections, using the chord-scale system, the first of which was released in 1967, are an internationally renowned resource for jazz education. As of 2009, 126 of these collections have been published by Aebersold, who currently teaches musical improvisation at the University of Louisville. He is also an adept pianist, bassist, and banjoist.
Georges Bizet
Georges Bizet (25 October 1838 – 3 June 1875) was a French composer and pianist of the Romantic era. He is best known for the opera Carmen.
Bizet was born at 26 rue de la Tour d'Auvergne in the 9th arrondissement of Paris in 1838. He was registered with the legal name Alexandre César Léopold Bizet, but he was baptised on 16 March 1840 with the first name Georges, and he was always known thereafter as Georges Bizet. His father Adolphe Armand Bizet (1810-86) was an amateur singer and composer, and his mother, Aimée Léopoldine Joséphine née Delsarte (1814-61), was the sister of the famous singing teacher François Delsarte.
He entered the Paris Conservatory of Music on 9 October 1848, a fortnight before his tenth birthday. His teachers there were Pierre Zimmermann (fugue and counterpoint; often assisted by his son-in-law Charles Gounod), Antoine François Marmontel (piano), François Benoist (organ) and, on Zimmermann's death, Fromental Halévy, whose daughter he himself later married. He won first prizes for organ and fugue in 1855 and completed his earliest compositions.
His first symphony, the Symphony in C, was written in November 1855, when he was seventeen, evidently as a student assignment. It was unknown to the world until 1933, when it was discovered in the archives of the Paris Conservatory library. Upon its first performance in 1935, it was immediately hailed as a junior masterwork and a welcome addition to the early Romantic period repertoire. The symphony bears a stylistic resemblance to the first symphony of Gounod, first played earlier in the same year, and which Bizet had arranged for two pianos although present-day listeners may discern a similarity to music of Franz Schubert, whose work was little known in France at the time the symphony was written.
In 1857, a setting of the one-act operetta Le docteur Miracle won him a share in a prize offered by Jacques Offenbach. He also won the music composition scholarship of the Prix de Rome, the conditions of which required him to study in Rome for three years. There, his talent developed as he wrote such works as the opera buffa Don Procopio (1858-59). There he also composed his only major sacred work, Te Deum (1858), which he submitted to the Prix Rodrigues competition, a contest for Prix de Rome winners only. Bizet failed to win the Prix Rodrigues, and the Te Deum score remained unpublished until 1971. He made two attempts to write another symphony in 1859, but destroyed the manuscripts in December of that year. Apart from this period in Rome, Bizet lived in the Paris area all his life.
Shortly after leaving Rome in July 1860, but while still touring in Italy, he had the idea of writing a symphony in which each of the four movements would be a musical evocation of a different Italian city – Rome, Venice, Florence and Naples. On hearing of his mother's serious illness he cut short his Italian travels and returned to Paris in September 1860; she died a year later. The Scherzo of the symphony was completed by November 1861, but it was not until 1866 that the first version of the whole symphony was written. He subjected it to a number of revisions through to 1871, but died before ever producing what he considered the definitive version. For this reason, the work is sometimes described as "unfinished", but this is an inaccurate description as it was fully scored. It was published in 1880 as the Roma Symphony.
Bizet was born at 26 rue de la Tour d'Auvergne in the 9th arrondissement of Paris in 1838. He was registered with the legal name Alexandre César Léopold Bizet, but he was baptised on 16 March 1840 with the first name Georges, and he was always known thereafter as Georges Bizet. His father Adolphe Armand Bizet (1810-86) was an amateur singer and composer, and his mother, Aimée Léopoldine Joséphine née Delsarte (1814-61), was the sister of the famous singing teacher François Delsarte.
He entered the Paris Conservatory of Music on 9 October 1848, a fortnight before his tenth birthday. His teachers there were Pierre Zimmermann (fugue and counterpoint; often assisted by his son-in-law Charles Gounod), Antoine François Marmontel (piano), François Benoist (organ) and, on Zimmermann's death, Fromental Halévy, whose daughter he himself later married. He won first prizes for organ and fugue in 1855 and completed his earliest compositions.
His first symphony, the Symphony in C, was written in November 1855, when he was seventeen, evidently as a student assignment. It was unknown to the world until 1933, when it was discovered in the archives of the Paris Conservatory library. Upon its first performance in 1935, it was immediately hailed as a junior masterwork and a welcome addition to the early Romantic period repertoire. The symphony bears a stylistic resemblance to the first symphony of Gounod, first played earlier in the same year, and which Bizet had arranged for two pianos although present-day listeners may discern a similarity to music of Franz Schubert, whose work was little known in France at the time the symphony was written.
In 1857, a setting of the one-act operetta Le docteur Miracle won him a share in a prize offered by Jacques Offenbach. He also won the music composition scholarship of the Prix de Rome, the conditions of which required him to study in Rome for three years. There, his talent developed as he wrote such works as the opera buffa Don Procopio (1858-59). There he also composed his only major sacred work, Te Deum (1858), which he submitted to the Prix Rodrigues competition, a contest for Prix de Rome winners only. Bizet failed to win the Prix Rodrigues, and the Te Deum score remained unpublished until 1971. He made two attempts to write another symphony in 1859, but destroyed the manuscripts in December of that year. Apart from this period in Rome, Bizet lived in the Paris area all his life.
Shortly after leaving Rome in July 1860, but while still touring in Italy, he had the idea of writing a symphony in which each of the four movements would be a musical evocation of a different Italian city – Rome, Venice, Florence and Naples. On hearing of his mother's serious illness he cut short his Italian travels and returned to Paris in September 1860; she died a year later. The Scherzo of the symphony was completed by November 1861, but it was not until 1866 that the first version of the whole symphony was written. He subjected it to a number of revisions through to 1871, but died before ever producing what he considered the definitive version. For this reason, the work is sometimes described as "unfinished", but this is an inaccurate description as it was fully scored. It was published in 1880 as the Roma Symphony.
Lloyd Webber
Andrew Lloyd Webber, Baron Lloyd-Webber is an English composer and impresario of musical theatre. Several of his musicals have run for more than a decade both in the West End and on Broadway. He has composed 13 musicals, a song cycle, a set of variations, two film scores, and a Latin Requiem Mass
Honegger
Arthur Honegger (French: ; 10 March 1892 – 27 November 1955) was a Swiss composer, who was born in France and lived a large part of his life in Paris. He was a member of Les Six. His most frequently performed work is probably the orchestral work Pacific 231, which was inspired by the sound of a steam locomotive.
Erik Satie
Éric Alfred Leslie Satie, who signed his name Erik Satie after 1884, was a French composer and pianist. Satie was an influential artist in the late 19th- and early 20th-century Parisian avant-garde.
Dream Theater
Dream Theater is an American progressive metal band formed in 1985 under the name Majesty by John Petrucci, John Myung, and Mike Portnoy while they attended Berklee College of Music in Massachusetts, before they dropped out to support the band. Though a number of lineup changes followed, the three original members remain today along with James LaBrie and Jordan Rudess.
Dream Theater has become a successful progressive metal band. Although the band has had one successful hit ("Pull Me Under" in 1992, which received extensive MTV rotation), they have remained relatively out of the mainstream.
The band is well known for the technical proficiency of its instrumentalists, who have won many awards from music instruction magazines. Dream Theater's members have collaborated with many other notable musicians. Guitarist John Petrucci has been named as the third player on the G3 tour six times, more than any other invited guitarist, following in the footsteps of Eric Johnson and Robert Fripp. Drummer Mike Portnoy has won 23 awards from Modern Drummer Magazine and is also the second youngest person (at the age of 37) to be inducted into the Rock Drummer Hall of Fame.
The band's highest selling album is the gold selling Images and Words (1992), which reached #61 on the Billboard 200 charts. Both the 1994 release Awake and their 2002 release Six Degrees of Inner Turbulence also entered the charts at #32 and #46 respectively and received mostly positive reviews. Six Degrees of Inner Turbulence also led to Dream Theater becoming the initial band reviewed in the Music Section of Entertainment Weekly during its opening week of release, despite the magazine generally preferring more mainstream music. In 2007, Systematic Chaos entered US Billboard 200 at #19. Dream Theater has sold over two million albums in the U.S., and over 8 million records worldwide. The band's tenth studio album, Black Clouds & Silver Linings, was released on June 23, 2009. It entered the US Billboard 200 at #6 and Eurochart Hot 100 at #1, marking their highest entry on either chart. Currently the musician and writer Jose Aranda is writing a doctoral thesis book about Dream Theater and the meaning of music.
Dream Theater has become a successful progressive metal band. Although the band has had one successful hit ("Pull Me Under" in 1992, which received extensive MTV rotation), they have remained relatively out of the mainstream.
The band is well known for the technical proficiency of its instrumentalists, who have won many awards from music instruction magazines. Dream Theater's members have collaborated with many other notable musicians. Guitarist John Petrucci has been named as the third player on the G3 tour six times, more than any other invited guitarist, following in the footsteps of Eric Johnson and Robert Fripp. Drummer Mike Portnoy has won 23 awards from Modern Drummer Magazine and is also the second youngest person (at the age of 37) to be inducted into the Rock Drummer Hall of Fame.
The band's highest selling album is the gold selling Images and Words (1992), which reached #61 on the Billboard 200 charts. Both the 1994 release Awake and their 2002 release Six Degrees of Inner Turbulence also entered the charts at #32 and #46 respectively and received mostly positive reviews. Six Degrees of Inner Turbulence also led to Dream Theater becoming the initial band reviewed in the Music Section of Entertainment Weekly during its opening week of release, despite the magazine generally preferring more mainstream music. In 2007, Systematic Chaos entered US Billboard 200 at #19. Dream Theater has sold over two million albums in the U.S., and over 8 million records worldwide. The band's tenth studio album, Black Clouds & Silver Linings, was released on June 23, 2009. It entered the US Billboard 200 at #6 and Eurochart Hot 100 at #1, marking their highest entry on either chart. Currently the musician and writer Jose Aranda is writing a doctoral thesis book about Dream Theater and the meaning of music.
Jerry Goldsmith
Jerrald King "Jerry" Goldsmith (February 10, 1929 – July 21, 2004) was an American composer and conductor most known for his work in film and television scoring.
He composed scores for such noteworthy films as The Sand Pebbles, Planet of the Apes, Patton, Chinatown, The Wind and the Lion, The Omen, The Boys from Brazil, Alien, Poltergeist, Gremlins, Hoosiers, Total Recall, Basic Instinct, Rudy, Air Force One, L.A. Confidential, Mulan, The Mummy, three Rambo films, and five Star Trek films. He was nominated for six Grammy Awards, nine Golden Globes, four BAFTAs, and seventeen Academy Awards. In 1977 he was awarded an Oscar for The Omen.
He collaborated with some of the most prolific directors in film history, including Robert Wise (The Sand Pebbles, Star Trek: The Motion Picture), Howard Hawks (Rio Lobo), Otto Preminger (In Harm's Way), Joe Dante (Gremlins, The 'Burbs, Small Soldiers), Roman Polanski (Chinatown), Ridley Scott (Alien, Legend), Steven Spielberg (Poltergeist, Twilight Zone: The Movie), and Paul Verhoeven (Total Recall, Basic Instinct). However, his most notable collaboration was arguably that with Franklin J. Schaffner, for whom Goldsmith scored such films as Planet of the Apes, Patton, Papillon, and The Boys from Brazil.
He composed scores for such noteworthy films as The Sand Pebbles, Planet of the Apes, Patton, Chinatown, The Wind and the Lion, The Omen, The Boys from Brazil, Alien, Poltergeist, Gremlins, Hoosiers, Total Recall, Basic Instinct, Rudy, Air Force One, L.A. Confidential, Mulan, The Mummy, three Rambo films, and five Star Trek films. He was nominated for six Grammy Awards, nine Golden Globes, four BAFTAs, and seventeen Academy Awards. In 1977 he was awarded an Oscar for The Omen.
He collaborated with some of the most prolific directors in film history, including Robert Wise (The Sand Pebbles, Star Trek: The Motion Picture), Howard Hawks (Rio Lobo), Otto Preminger (In Harm's Way), Joe Dante (Gremlins, The 'Burbs, Small Soldiers), Roman Polanski (Chinatown), Ridley Scott (Alien, Legend), Steven Spielberg (Poltergeist, Twilight Zone: The Movie), and Paul Verhoeven (Total Recall, Basic Instinct). However, his most notable collaboration was arguably that with Franklin J. Schaffner, for whom Goldsmith scored such films as Planet of the Apes, Patton, Papillon, and The Boys from Brazil.
Anne Murray
Morna Anne Murray, CC, ONS (born June 20, 1945) is a Grammy Award-winning Canadian singer. Murray has performed in Pop, Country and Adult Contemporary styles. So far, her albums have sold over 54 million copies.
Murray was the first Canadian female solo singer to reach #1 on the U.S. charts, and also the first to earn a gold record for one of her signature songs, "Snowbird" (1970). She is often cited as the woman who paved the way for other Canadian international success stories such as Céline Dion, Sarah McLachlan and Shania Twain. She is also the first woman and the first Canadian to win "Album of the Year" at the Country Music Association Awards for her 1984 album A Little Good News.
Murray has always resided in Canada and now lives in Toronto, but spends most summers in Nova Scotia. On May 11, 2007, Murray was named the world's best female celebrity golfer by Golf For Women magazine, sporting an 11 handicap.
Murray was the first Canadian female solo singer to reach #1 on the U.S. charts, and also the first to earn a gold record for one of her signature songs, "Snowbird" (1970). She is often cited as the woman who paved the way for other Canadian international success stories such as Céline Dion, Sarah McLachlan and Shania Twain. She is also the first woman and the first Canadian to win "Album of the Year" at the Country Music Association Awards for her 1984 album A Little Good News.
Murray has always resided in Canada and now lives in Toronto, but spends most summers in Nova Scotia. On May 11, 2007, Murray was named the world's best female celebrity golfer by Golf For Women magazine, sporting an 11 handicap.
Wicked
Wicked is a musical with songs and lyrics by Stephen Schwartz and a book by Winnie Holzman. The story is based on the best-selling novel Wicked: The Life and Times of the Wicked Witch of the West by Gregory Maguire, a parallel novel of L. Frank Baum's classic story The Wonderful Wizard of Oz from the perspective of the witches of the Land of Oz.
Wicked tells the story of Elphaba, the future Wicked Witch of the West and her relationship with Glinda, the Good Witch of the North. Their friendship struggles through their opposing personalities and viewpoints, rivalry over the same love-interest, their reactions to the Wizard's corrupt government, and, ultimately, Elphaba's public fall from grace. The plot is set mostly before Dorothy's arrival from Kansas, and includes several references to well-known scenes and dialogue in the 1939 film The Wizard of Oz.
The musical debuted on Broadway on October 30, 2003. It is produced by Universal Pictures and directed by Joe Mantello, with musical staging by Wayne Cilento. Its original stars were Idina Menzel as Elphaba, Kristin Chenoweth as Glinda, and Joel Grey as the Wizard. Although the production received mixed reviews and was panned by The New York Times, it has proved to be a favorite among patrons. The Broadway production's success spawned productions in Chicago, Los Angeles, London's West End, Tokyo, Melbourne, and Stuttgart, along with two North American tours that have visited over 30 cities in Canada and the United States.
The score of Wicked is heavily thematic, bearing in some senses more resemblance to a film score than a musical's score. While many musicals' scores develop new motifs and melodies for each song with little overlap, Schwartz integrated a handful of leitmotifs throughout the production. A cast recording of the original Broadway production was released on December 16, 2003, by Universal Music. All of the songs featured on stage are present on the recording with the exception of "The Wizard And I (Reprise)" and "The Wicked Witch of the East". The short reprise of "No One Mourns The Wicked" that opens Act II is attached to the beginning of "Thank Goodness". The music was arranged by Stephen Oremus, who was also the conductor and director, and James Lynn Abbott, with orchestrations by William David Brohn. The recording received the Grammy Award for Best Musical Show Album in 2005 and was certified platinum by the RIAA on November 30, 2006.
Wicked tells the story of Elphaba, the future Wicked Witch of the West and her relationship with Glinda, the Good Witch of the North. Their friendship struggles through their opposing personalities and viewpoints, rivalry over the same love-interest, their reactions to the Wizard's corrupt government, and, ultimately, Elphaba's public fall from grace. The plot is set mostly before Dorothy's arrival from Kansas, and includes several references to well-known scenes and dialogue in the 1939 film The Wizard of Oz.
The musical debuted on Broadway on October 30, 2003. It is produced by Universal Pictures and directed by Joe Mantello, with musical staging by Wayne Cilento. Its original stars were Idina Menzel as Elphaba, Kristin Chenoweth as Glinda, and Joel Grey as the Wizard. Although the production received mixed reviews and was panned by The New York Times, it has proved to be a favorite among patrons. The Broadway production's success spawned productions in Chicago, Los Angeles, London's West End, Tokyo, Melbourne, and Stuttgart, along with two North American tours that have visited over 30 cities in Canada and the United States.
The score of Wicked is heavily thematic, bearing in some senses more resemblance to a film score than a musical's score. While many musicals' scores develop new motifs and melodies for each song with little overlap, Schwartz integrated a handful of leitmotifs throughout the production. A cast recording of the original Broadway production was released on December 16, 2003, by Universal Music. All of the songs featured on stage are present on the recording with the exception of "The Wizard And I (Reprise)" and "The Wicked Witch of the East". The short reprise of "No One Mourns The Wicked" that opens Act II is attached to the beginning of "Thank Goodness". The music was arranged by Stephen Oremus, who was also the conductor and director, and James Lynn Abbott, with orchestrations by William David Brohn. The recording received the Grammy Award for Best Musical Show Album in 2005 and was certified platinum by the RIAA on November 30, 2006.
Hans Zimmer
Hans Florian Zimmer (born September 12, 1957) is a German film score composer and music producer. He has composed music for over 100 films, including Hollywood blockbusters such as the Pirates of the Caribbean series, Gladiator, The Lion King, The Da Vinci Code and The Dark Knight.
Zimmer spent the early part of his career in the United Kingdom before moving to the United States. He is the head of the film music division at DreamWorks studios, and works with other composers through the company which he founded, Remote Control Productions. His work is notable for integrating electronic music sounds with traditional orchestral arrangements.
Zimmer spent the early part of his career in the United Kingdom before moving to the United States. He is the head of the film music division at DreamWorks studios, and works with other composers through the company which he founded, Remote Control Productions. His work is notable for integrating electronic music sounds with traditional orchestral arrangements.
Beethoven
Ludwig van Beethoven (16 December 1770 - 26 March 1827) was a German composer and pianist. He was a crucial figure in the transitional period between the Classical and Romantic eras in Western classical music, and remains one of the most respected and influential composers of all time.
Born in Bonn, then in the Electorate of Cologne (now in modern-day Germany), he moved to Vienna in his early twenties and settled there, studying with Joseph Haydn and quickly gaining a reputation as a virtuoso pianist. Beethoven's hearing gradually deteriorated beginning in his twenties, yet he continued to compose masterpieces, and to conduct and perform, even after he was completely deaf.
Born in Bonn, then in the Electorate of Cologne (now in modern-day Germany), he moved to Vienna in his early twenties and settled there, studying with Joseph Haydn and quickly gaining a reputation as a virtuoso pianist. Beethoven's hearing gradually deteriorated beginning in his twenties, yet he continued to compose masterpieces, and to conduct and perform, even after he was completely deaf.
Luciano Berio
Luciano Berio, Cavaliere di Gran Croce OMRI (October 24, 1925 – May 27, 2003) was an Italian composer. He is noted for his experimental work (in particular his 1968 composition Sinfonia for voices and orchestra and his series of numbered solo pieces titled Sequenza) and also for his pioneering work in electronic music.
Berio's electronic work dates for the most part from his time at Milan's Studio di Fonologia. One of the most influential works he produced there was Thema (Omaggio a Joyce) (1958), based on Cathy Berberian reading from James Joyce's Ulysses. A later work, Visage (1961) sees Berio creating a wordless emotional language by cutting up and rearranging a recording of Cathy Berberian's voice.
In 1968, Berio completed O King a work which exists in two versions: one for voice, flute, clarinet, violin, cello and piano, the other for eight voices and orchestra. The piece is in memory of Martin Luther King, who had been assassinated shortly before its composition. In it, the voice(s) intones first the vowels, and then the consonants which make up his name, only stringing them together to give his name in full in the final bars.
The orchestral version of O King was, shortly after its completion, integrated into what is perhaps Berio's most famous work, Sinfonia (1967–69), for orchestra and eight amplified voices. The voices are not used in a traditional classical way; they frequently do not sing at all, but speak, whisper and shout. The third movement is a collage of literary and musical quotations. A-Ronne (1974) is similarly collaged, but with the focus more squarely on the voice. It was originally written as a radio program for five actors, and reworked in 1975 for eight vocalists and an optional keyboard part. The work is one of a number of collaborations with the poet Edoardo Sanguineti, who for this piece provided a text full of quotations from sources including the Bible, T. S. Eliot and Karl Marx.
Berio's electronic work dates for the most part from his time at Milan's Studio di Fonologia. One of the most influential works he produced there was Thema (Omaggio a Joyce) (1958), based on Cathy Berberian reading from James Joyce's Ulysses. A later work, Visage (1961) sees Berio creating a wordless emotional language by cutting up and rearranging a recording of Cathy Berberian's voice.
In 1968, Berio completed O King a work which exists in two versions: one for voice, flute, clarinet, violin, cello and piano, the other for eight voices and orchestra. The piece is in memory of Martin Luther King, who had been assassinated shortly before its composition. In it, the voice(s) intones first the vowels, and then the consonants which make up his name, only stringing them together to give his name in full in the final bars.
The orchestral version of O King was, shortly after its completion, integrated into what is perhaps Berio's most famous work, Sinfonia (1967–69), for orchestra and eight amplified voices. The voices are not used in a traditional classical way; they frequently do not sing at all, but speak, whisper and shout. The third movement is a collage of literary and musical quotations. A-Ronne (1974) is similarly collaged, but with the focus more squarely on the voice. It was originally written as a radio program for five actors, and reworked in 1975 for eight vocalists and an optional keyboard part. The work is one of a number of collaborations with the poet Edoardo Sanguineti, who for this piece provided a text full of quotations from sources including the Bible, T. S. Eliot and Karl Marx.
Disney
The Walt Disney Company (NYSE: DIS), often simply known as Disney, is the largest media and entertainment conglomerate in the world, known for its family-friendly products. Founded on October 16, 1923, by brothers Walt Disney and Roy Disney as an animation studio, it has become one of the biggest Hollywood studios, and owner and licensor of eleven theme parks and several television networks, including ABC and ESPN. Disney's corporate headquarters and primary production facilities are located at The Walt Disney Studios in Burbank, California. The company has been a component of the Dow Jones Industrial Average since May 6, 1991. Mickey Mouse serves as the official mascot of The Walt Disney Company.
John Williams
John Towner Williams (born February 8, 1932) is an American composer, conductor, and pianist. In a career that spans six decades, Williams has composed many of the most famous film scores in Hollywood history, including Star Wars, Superman, Home Alone, the first three Harry Potter movies and all but two of Steven Spielberg's feature films including the Indiana Jones series, Schindler's List, E.T. the Extra-Terrestrial, Jurassic Park and Jaws. He also composed the soundtrack for the hit 1960s television series Lost in Space as well as the fanfare of the DreamWorks Pictures' logo.
Williams has composed theme music for four Olympic Games, the NBC Nightly News, the rededication of the Statue of Liberty, and numerous television series and concert pieces. He served as the principal conductor of the Boston Pops Orchestra from 1980 to 1993, and is now the orchestra's laureate conductor.
Williams is a five-time winner of the Academy Award. He has also won four Golden Globe Awards, seven BAFTA Awards and 21 Grammy Awards. With 45 Academy Award nominations, Williams is, together with composer Alfred Newman, the second most nominated person after Walt Disney. He was inducted into the Hollywood Bowl Hall of Fame in 2000, and was a recipient of the Kennedy Center Honors in 2004.
Williams has composed theme music for four Olympic Games, the NBC Nightly News, the rededication of the Statue of Liberty, and numerous television series and concert pieces. He served as the principal conductor of the Boston Pops Orchestra from 1980 to 1993, and is now the orchestra's laureate conductor.
Williams is a five-time winner of the Academy Award. He has also won four Golden Globe Awards, seven BAFTA Awards and 21 Grammy Awards. With 45 Academy Award nominations, Williams is, together with composer Alfred Newman, the second most nominated person after Walt Disney. He was inducted into the Hollywood Bowl Hall of Fame in 2000, and was a recipient of the Kennedy Center Honors in 2004.
Michael Patti
Michael Patti is a composer, orchestrator and synthestrator of music for film and games in Los Angeles, ..Works with: Azeroth Music Movies: Speechless, Look Away, Love Thy Neighbor Albums: StarCraft II: Legacy of the Void
ABBA
ABBA was a Swedish Eurovision Song Contest-winning pop music group active between 1972 and 1982. Benny Andersson, Björn Ulvaeus, Anni-Frid Lyngstad (Frida), Agnetha Fältskog are in ABBA. They topped the charts worldwide from the mid-1970s to the early 1980s. The name "ABBA" is an acronym formed from the first letters of each of the group member's given name (Agnetha, Björn, Benny, Anni-Frid).
ABBA gained immense international popularity employing catchy song hooks, simple lyrics, and a Wall of Sound achieved by overdubbing the female singers' voices in multiple harmonies. As their popularity grew, they were sought-after to tour Europe, Australia, and North America, drawing crowds of near-hysterical fans ("ABBAholics"), notably in Australia. Touring became a contentious issue, being particularly unpopular with Agnetha, but they continued to release studio albums to great commercial success. At the height of their popularity, however, both marriages of the band members (Benny with Frida, and Björn with Agnetha) failed, and the relationship changes were reflected in their music, as they produced more thoughtful lyrics with different compositions.
They remain a fixture of radio playlists and are one of the world's best selling bands, having sold around 400 million records world wide; The music of ABBA has been re-arranged into the successful musical Mamma Mia! that has toured worldwide and a movie version was released in July 2008. All four of the former members of ABBA were present at the Stockholm premieres of both the musical (2005) and the film (2008). The film première took place at the Benny Andersson-owned Rival theatre at Mariatorget, Stockholm on 4 July 2008.
ABBA gained immense international popularity employing catchy song hooks, simple lyrics, and a Wall of Sound achieved by overdubbing the female singers' voices in multiple harmonies. As their popularity grew, they were sought-after to tour Europe, Australia, and North America, drawing crowds of near-hysterical fans ("ABBAholics"), notably in Australia. Touring became a contentious issue, being particularly unpopular with Agnetha, but they continued to release studio albums to great commercial success. At the height of their popularity, however, both marriages of the band members (Benny with Frida, and Björn with Agnetha) failed, and the relationship changes were reflected in their music, as they produced more thoughtful lyrics with different compositions.
They remain a fixture of radio playlists and are one of the world's best selling bands, having sold around 400 million records world wide; The music of ABBA has been re-arranged into the successful musical Mamma Mia! that has toured worldwide and a movie version was released in July 2008. All four of the former members of ABBA were present at the Stockholm premieres of both the musical (2005) and the film (2008). The film première took place at the Benny Andersson-owned Rival theatre at Mariatorget, Stockholm on 4 July 2008.
Michael Praetorius
Michael Praetorius (probably 15 February 1571 – 15 February 1621) was a German composer, organist, and music theorist. He was one of the most versatile composers of his age, being particularly significant in the development of musical forms based on Protestant hymns, many of which reflect an effort to improve the relationship between Protestants and Catholics.
Carlos Gardel
Carlos Gardel (11 December 1890 – 24 June 1935) was a singer, songwriter and actor, and is perhaps the most prominent figure in the history of tango. The unerring musicality of Gardel's baritone voice and the dramatic phrasing of his lyrics made miniature masterpieces of his hundreds of three-minute tango recordings. Together with lyricist and long-time collaborator Alfredo Le Pera, Gardel wrote several classic tangos, most notably "Mi Buenos Aires querido", "Por una cabeza" and "El día que me quieras".
Gardel died in an airplane crash at the height of his career, becoming an archetypal tragic hero mourned throughout Latin America. For many, Gardel embodies the soul of the tango style. He is commonly referred to as "Carlitos", "El Zorzal" (The Song Thrush), "The King of Tango", "El Mago" (The Magician) and "El Mudo" (The Mute).
Gardel died in an airplane crash at the height of his career, becoming an archetypal tragic hero mourned throughout Latin America. For many, Gardel embodies the soul of the tango style. He is commonly referred to as "Carlitos", "El Zorzal" (The Song Thrush), "The King of Tango", "El Mago" (The Magician) and "El Mudo" (The Mute).
Michael Haydn
Johann Michael Haydn was an Austrian composer of the Classical period, the younger brother of Franz Joseph Haydn.
Date of birth: September 14, 1737, Rohrau, Austria Date and place of death: August 10, 1806, Salzburg, Austria
Compositions: Deutsches Hochamt, Symphony No. 25
Date of birth: September 14, 1737, Rohrau, Austria Date and place of death: August 10, 1806, Salzburg, Austria
Compositions: Deutsches Hochamt, Symphony No. 25
George Frideric Handel
George Frideric (or Frederick) Handel (/ˈhændəl/; born Georg Friederich Händel (About this soundlisten); 23 February 1685 (O.S.) – 14 April 1759) was a German, later British, Baroque composer who spent the bulk of his career in London, becoming well known for his operas, oratorios, anthems, and organ concertos. Handel received important training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712; he became a naturalised British subject in 1727. He was strongly influenced both by the great composers of the Italian Baroque and by the middle-German polyphonic choral tradition.
Guiseppe Cambini
Giuseppe Cambini Giuseppe Maria Gioacchino Cambini was an Italian composer and violinist. Born: February 13, 1746, Livorno, Italy Died: December 29, 1825, Le Kremlin-Bicêtre, France Instruments played: Viola, Violin Record labels: Bongiovanni, Testament, Tudor
Glee Cast
Glee (stylized as glee) is an American musical comedy-drama television series that aired on the Fox network in the United States from May 19, 2009, to March 20, 2015. It focuses on the fictitious William McKinley High School glee club, the New Directions, which competes on the show choir competition circuit while its disparate members deal with social issues, especially regarding sexuality, race, relationships, and teamwork. The initial twelve-member cast included Matthew Morrison as club director and Spanish teacher Will Schuester, Jane Lynch as cheerleading coach Sue Sylvester, Jayma Mays as guidance counselor Emma Pillsbury, Jessalyn Gilsig as Will's wife Terri, and Dianna Agron, Chris Colfer, Kevin McHale, Lea Michele, Cory Monteith, Amber Riley, Mark Salling, and Jenna Ushkowitz as eight club members. The main cast was altered throughout the series.
Astor Piazzolla
Ástor Pantaleón Piazzolla (March 11, 1921 – July 4, 1992) was an Argentine tango composer and bandoneón player. His oeuvre revolutionized the traditional tango into a new style termed nuevo tango, incorporating elements from jazz and classical music. An excellent bandoneonist, he regularly performed his own compositions with different ensembles.
Piazzolla's nuevo tango was distinct from the traditional tango in its incorporation of elements of jazz, its use of extended harmonies and dissonance, its use of counterpoint, and its ventures into extended compositional forms. As Argentine psychoanalyst Carlos Kuri has pointed out, Piazzolla's fusion of tango with this wide range of other recognizable Western musical elements was so successful that it produced a new individual style transcending these influences. It is precisely this success, and individuality, that makes it hard to pin down where particular influences reside in his compositions, but some aspects are clear. The use of the passacaglia technique of a circulating bass line and harmonic sequence, invented and much used in 17th and 18th century baroque music but also central to the idea of jazz "changes", predominates in most of Piazzolla's mature compositions. Another clear reference to the baroque is the often complex and virtuosic counterpoint that sometimes follows strict fugal behavior but more often simply allows each performer in the group to assert his voice. A further technique that emphasises this sense of democracy and freedom among the musicians is improvisation that is borrowed from jazz in concept, but in practice involves a different vocabulary of scales and rhythms that stay within the parameters of the established tango sound-world. Pablo Ziegler has been particularly responsible for developing this aspect of the style both within Piazzolla's groups and since the composer's death.
Piazzolla's nuevo tango was distinct from the traditional tango in its incorporation of elements of jazz, its use of extended harmonies and dissonance, its use of counterpoint, and its ventures into extended compositional forms. As Argentine psychoanalyst Carlos Kuri has pointed out, Piazzolla's fusion of tango with this wide range of other recognizable Western musical elements was so successful that it produced a new individual style transcending these influences. It is precisely this success, and individuality, that makes it hard to pin down where particular influences reside in his compositions, but some aspects are clear. The use of the passacaglia technique of a circulating bass line and harmonic sequence, invented and much used in 17th and 18th century baroque music but also central to the idea of jazz "changes", predominates in most of Piazzolla's mature compositions. Another clear reference to the baroque is the often complex and virtuosic counterpoint that sometimes follows strict fugal behavior but more often simply allows each performer in the group to assert his voice. A further technique that emphasises this sense of democracy and freedom among the musicians is improvisation that is borrowed from jazz in concept, but in practice involves a different vocabulary of scales and rhythms that stay within the parameters of the established tango sound-world. Pablo Ziegler has been particularly responsible for developing this aspect of the style both within Piazzolla's groups and since the composer's death.
Stephen Sondheim
Stephen Joshua Sondheim (born March 22, 1930) is an American composer and lyricist for stage and film. He is the winner of an Academy Award, multiple Tony Awards (nine, more than any other composer) including the Special Tony Award for Lifetime Achievement in the Theatre (received 2008), multiple Grammy Awards, and a Pulitzer Prize. He has been described as "the greatest and perhaps best-known artist in the American musical theatre." His most famous scores include (as composer/lyricist) A Funny Thing Happened on the Way to the Forum, Company, Follies, A Little Night Music, Sweeney Todd, Sunday in the Park with George, Into the Woods, and Assassins, as well as the lyrics for West Side Story and Gypsy. He was president of the Dramatists Guild from 1973 to 1981.
Soft Cell
Soft Cell are an English synthpop duo who came to prominence in the early 1980s. They consist of vocalist Marc Almond and David Ball on synthesizers. The duo is known for their 1981 worldwide smash - a significantly reworked cover version of Gloria Jones' "Tainted Love". While this song was Soft Cell's only Top 40 success in the United States, they had 10 UK Top 40 hits, including "Bedsitter" (#4), "Say Hello, Wave Goodbye" (#3), "Torch" (#2), and "What!" (#3). In addition, the band also had four UK top 20 albums between 1981 and 1984. Soft Cell's additional UK hit singles were "Where The Heart Is" (#21), "Numbers" (#25), "Down In The Subway" (#24), "Soul Inside" (#16) and "The Night" (#39).
John Coltrane
John William "Trane" Coltrane (September 23, 1926 – July 17, 1967) was an American jazz saxophonist and composer.
Working in the bebop and hard bop idioms early in his career, Coltrane helped pioneer the use of modes in jazz and later was at the forefront of free jazz. He was prolific, making about fifty recordings as a leader during his recording career, and appeared as a sideman on many other albums, notably with trumpeter Miles Davis and pianist Thelonious Monk. As his career progressed, Coltrane's music took on an increasingly spiritual dimension. His second wife was pianist Alice Coltrane, and their son Ravi Coltrane is also a saxophonist.
He influenced innumerable musicians, and remains one of the most significant tenor saxophonists in jazz history. He received many awards, among them a posthumous Special Citation from the Pulitzer Prize Board in 2007 for his "masterful improvisation, supreme musicianship and iconic centrality to the history of jazz."
Working in the bebop and hard bop idioms early in his career, Coltrane helped pioneer the use of modes in jazz and later was at the forefront of free jazz. He was prolific, making about fifty recordings as a leader during his recording career, and appeared as a sideman on many other albums, notably with trumpeter Miles Davis and pianist Thelonious Monk. As his career progressed, Coltrane's music took on an increasingly spiritual dimension. His second wife was pianist Alice Coltrane, and their son Ravi Coltrane is also a saxophonist.
He influenced innumerable musicians, and remains one of the most significant tenor saxophonists in jazz history. He received many awards, among them a posthumous Special Citation from the Pulitzer Prize Board in 2007 for his "masterful improvisation, supreme musicianship and iconic centrality to the history of jazz."
Gavin Greenaway
Gavin Greenaway (born 15 June 1964) is an English music composer and conductor. He is the son of Roger Greenaway.[1Educated at Strode's College and Trinity College of Music, Greenaway started working with his father before leaving school. Their compositions for BBC children's television include Jimbo and the Jet-Set, The Family Ness and Penny Crayon, as well as Channel 4's 1996 drama The Fragile Heart.
Prokofiev
Sergei Sergeyevich Prokofiev (Russian: Сергей Сергеевич Прокофьев; Ukrainian: Сергій Сергійович Прокоф'єв) (27 April 1891 – 5 March 1953) was a Russian composer, pianist and conductor who mastered numerous musical genres and came to be admired as one of the greatest composers of the 20th century.
Prokofiev was a soloist with the London Symphony Orchestra, conducted by Piero Coppola, in the first recording of his Piano Concerto No. 3, recorded in London by His Master's Voice in June 1932. Prokofiev also recorded some of his solo piano music for HMV in Paris in February 1935; these recordings were issued on CD by Pearl and Naxos. In 1938, he conducted the Moscow Philharmonic Orchestra in a recording of the second suite from his Romeo and Juliet ballet; this performance was also later released on LP and CD. Another reported recording with Prokofiev and the Moscow Philharmonic was of the First Violin Concerto with David Oistrakh as soloist; Everest Records later released this recording on an LP.
Prokofiev was a soloist with the London Symphony Orchestra, conducted by Piero Coppola, in the first recording of his Piano Concerto No. 3, recorded in London by His Master's Voice in June 1932. Prokofiev also recorded some of his solo piano music for HMV in Paris in February 1935; these recordings were issued on CD by Pearl and Naxos. In 1938, he conducted the Moscow Philharmonic Orchestra in a recording of the second suite from his Romeo and Juliet ballet; this performance was also later released on LP and CD. Another reported recording with Prokofiev and the Moscow Philharmonic was of the First Violin Concerto with David Oistrakh as soloist; Everest Records later released this recording on an LP.
Mitsumune Shinkichi
Shinkichi Mitsumune (光宗 信吉 Mitsumune Shinkichi) (born October 8, 1963) is a Japanese composer who writes music primarily for anime.
Mitsumune is a native of Fukuoka City in Fukuoka Prefecture and a graduate of Rikkyo University with a degree in business. He started studying music at the age of 4. After graduating from college, he toured music festivals across Japan as a keyboardist for a Marine band, and later for musicians such as Yukie Nishimura. Starting in 1995, he lent his skills to composing anime and movie scores with a full orchestra.
Mitsumune is a native of Fukuoka City in Fukuoka Prefecture and a graduate of Rikkyo University with a degree in business. He started studying music at the age of 4. After graduating from college, he toured music festivals across Japan as a keyboardist for a Marine band, and later for musicians such as Yukie Nishimura. Starting in 1995, he lent his skills to composing anime and movie scores with a full orchestra.
Brahms
Johannes Brahms (May 7, 1833 â April 3, 1897) was a German composer of the Romantic period. He was born in Hamburg and in his later years he settled in Vienna, Austria.
Brahms maintained a Classical sense of form and order in his works â in contrast to the opulence of the music of many of his contemporaries. Thus many admirers (though not necessarily Brahms himself) saw him as the champion of traditional forms and "pure music," as opposed to the New German embrace of program music.
Brahms venerated Beethoven: in the composer's home, a marble bust of Beethoven looked down on the spot where he composed, and some passages in his works are reminiscent of Beethoven's style. The main theme of the finale of Brahms's First Symphony is reminiscent of the main theme of the finale of Beethoven's Ninth, and when this resemblance was pointed out to Brahms he replied that any ass â jeder Esel â could see that.
Ein deutsches Requiem was partially inspired by his mother's death in 1865, but also incorporates material from a Symphony he started in 1854, but abandoned following Schumann's suicide attempt. He once wrote that the Requiem "belonged to Schumann". The first movement of this abandoned Symphony was re-worked as the first movement of the First Piano Concerto.
Brahms also loved the Classical composers Mozart and Haydn. He collected first editions and autographs of their works, and edited performing editions. He also studied the music of pre-classical composers, including Giovanni Gabrieli, Johann Adolph Hasse, Heinrich Schütz and especially Johann Sebastian Bach. His friends included leading musicologists, and with Friedrich Chrysander he edited an edition of the works of François Couperin. He looked to older music for inspiration in the arts of strict counterpoint; the themes of some of his works are modelled on Baroque sources, such as Bach's The Art of Fugue in the fugal finale of Cello Sonata No. 1, or the same composer's Cantata No. 150 in the passacaglia theme of the Fourth Symphony's finale.
Brahms maintained a Classical sense of form and order in his works â in contrast to the opulence of the music of many of his contemporaries. Thus many admirers (though not necessarily Brahms himself) saw him as the champion of traditional forms and "pure music," as opposed to the New German embrace of program music.
Brahms venerated Beethoven: in the composer's home, a marble bust of Beethoven looked down on the spot where he composed, and some passages in his works are reminiscent of Beethoven's style. The main theme of the finale of Brahms's First Symphony is reminiscent of the main theme of the finale of Beethoven's Ninth, and when this resemblance was pointed out to Brahms he replied that any ass â jeder Esel â could see that.
Ein deutsches Requiem was partially inspired by his mother's death in 1865, but also incorporates material from a Symphony he started in 1854, but abandoned following Schumann's suicide attempt. He once wrote that the Requiem "belonged to Schumann". The first movement of this abandoned Symphony was re-worked as the first movement of the First Piano Concerto.
Brahms also loved the Classical composers Mozart and Haydn. He collected first editions and autographs of their works, and edited performing editions. He also studied the music of pre-classical composers, including Giovanni Gabrieli, Johann Adolph Hasse, Heinrich Schütz and especially Johann Sebastian Bach. His friends included leading musicologists, and with Friedrich Chrysander he edited an edition of the works of François Couperin. He looked to older music for inspiration in the arts of strict counterpoint; the themes of some of his works are modelled on Baroque sources, such as Bach's The Art of Fugue in the fugal finale of Cello Sonata No. 1, or the same composer's Cantata No. 150 in the passacaglia theme of the Fourth Symphony's finale.